{"id":1230,"date":"2024-01-23T15:43:56","date_gmt":"2024-01-23T15:43:56","guid":{"rendered":"https:\/\/ateliers.grandpalaisrmn.fr\/blog\/?p=1230"},"modified":"2024-10-31T09:14:24","modified_gmt":"2024-10-31T09:14:24","slug":"estampilles-atelier-de-moulage-du-louvre","status":"publish","type":"post","link":"https:\/\/ateliers.grandpalaisrmn.fr\/blog\/estampilles-atelier-de-moulage-du-louvre\/","title":{"rendered":"L\u2019histoire de l\u2019atelier de moulage racont\u00e9e \u00e0 travers ses estampilles"},"content":{"rendered":"

L\u2019estampille que nous apposons sur tous nos tirages constitue la marque de notre atelier. Comme une signature, elle atteste l\u2019appartenance \u00e0 nos collections et certifie la qualit\u00e9 de fabrication. \u00c0 travers l\u2019\u00e9volution de son graphisme et de ses inscriptions, cette \u00e9pigraphe iconique raconte l\u2019histoire de l\u2019atelier depuis sa cr\u00e9ation et incarne sa l\u00e9gende.<\/p>\n

\"\"
Des Victoires de Samothrace<\/em> estampill\u00e9es \u00a9 Atelier de moulage des mus\u00e9es nationaux, 2024.<\/figcaption><\/figure>\n

Un cachet pour prot\u00e9ger les \u0153uvres originales d\u00e8s la Convention<\/strong>
\nQuelques mois seulement apr\u00e8s sa fondation en\u00a01793, le Mus\u00e9um central des arts, qui allait devenir le mus\u00e9e du Louvre, ouvre l\u2019atelier de moulage, premier atelier public en Europe. Le nouveau r\u00e9gime r\u00e9publicain souhaite alors une diffusion plus large des copies d\u2019antiques.
\nLes contrefa\u00e7ons, r\u00e9alis\u00e9es par de nombreux ateliers priv\u00e9s, sont courantes \u00e0 cette \u00e9poque. Face aux d\u00e9gradations commises sur les \u0153uvres originales par des mouleurs insuffisamment form\u00e9s, un groupement de citoyens mouleurs signe la \u00ab\u00a0p\u00e9tition du 13\u00a0Vent\u00f4se de l\u2019an\u00a0II\u00a0\u00bb (du 3\u00a0mars\u00a01794), qu\u2019il pr\u00e9sente \u00e0 la Convention nationale.
\nLe manifeste d\u00e9nonce \u00ab\u00a0l\u2019inhabilet\u00e9 de ces ignorants [\u2026]\u00a0\u00bb, et explique\u00a0: \u00ab\u00a0Sous leurs mains avides et barbares, les chefs-d\u2019\u0153uvre m\u00eames de l\u2019Antiquit\u00e9, ces monuments devenus le code des proportions de la nature et des principes du Beau, travestis, mutil\u00e9s, viol\u00e9s, estropi\u00e9s de toutes les mani\u00e8res possibles, ne pr\u00e9sentent plus au bout de quelque temps que des traductions mensong\u00e8res propres \u00e0 \u00e9garer le jeune \u00e9tudiant et m\u00e9connaissables m\u00eame aux ma\u00eetres d\u2019art.\u00a0\u00bb S\u2019impose alors la n\u00e9cessit\u00e9 d\u2019\u00e9tablir un contr\u00f4le strict des moulages pr\u00e9voyant l\u2019approbation imp\u00e9rative des moules ou des statues par leurs propri\u00e9taires (Archives nationales. Extrait de L\u2019Atelier de moulage du mus\u00e9e du Louvre\u00a0<\/em>\u2013 1996). Le moulage devenait ainsi une mission de service public.<\/p>\n

\"\"
Ancienne estampille de l’atelier de moulage sur le socle d’un buste \u00e0 l’antique<\/figcaption><\/figure>\n

L\u2019estampille devint obligatoire d\u00e8s le Second Empire pour tous les ateliers en Europe, publics ou priv\u00e9s, afin d\u2019assurer la tra\u00e7abilit\u00e9 du tirage, son authenticit\u00e9 et l\u2019expertise des praticiens. D\u00e8s lors, les mouleurs-statuaires de notre atelier appos\u00e8rent syst\u00e9matiquement un cachet en m\u00e9tal sur les tirages.<\/p>\n

Chaque marque raconte une histoire<\/strong>
\nPlus de vingt estampilles diff\u00e9rentes ont \u00e9t\u00e9 appos\u00e9es sur les tirages de notre atelier depuis sa cr\u00e9ation. Au fil des ann\u00e9es, elles ont connu diverses modifications relatives \u00e0 leur forme comme \u00e0 leurs inscriptions, en fonction de l\u2019\u00e9volution des r\u00e9gimes politiques et des noms cons\u00e9quemment donn\u00e9s aux institutions qui accueillirent l\u2019atelier ou en assur\u00e8rent la tutelle. Non seulement elles indiquent la localisation g\u00e9ographique de notre atelier, qui a d\u00e9m\u00e9nag\u00e9 \u00e0 plusieurs reprises, mais elles apportent aussi des informations permettant la datation des tirages\u00a0: chaque sceau raconte ainsi une histoire.
\nPeu document\u00e9, cet aspect requiert un travail de recherche, auquel notre atelier prend part pour r\u00e9pondre aux particuliers qui nous interrogent sur la provenance de leur moulage.<\/p>\n

\"\"
Estampille au dos de La R\u00e9publique<\/em>, de Joseph Chinard<\/figcaption><\/figure>\n

Aujourd\u2019hui, l\u2019estampille de l\u2019atelier est imprim\u00e9e directement dans la mati\u00e8re par le biais du moule, ou encore appos\u00e9e \u00e0 la fin des tirages, quel que soit le mat\u00e9riau d\u2019\u00e9dition\u00a0: terre cuite, bronze, r\u00e9sine, nouveaux mat\u00e9riaux composites issus du recyclage. Certifiant les savoir-faire traditionnels de nos \u00e9quipes, elle participe \u00e0 l\u2019iconisation de notre marque.<\/p>\n

T\u00e9l\u00e9chargez le tableau d’inventaire des estampilles<\/a><\/p>\n

Suivez notre actualit\u00e9 et abonnez-vous \u00e0 notre magazine<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019estampille que nous apposons sur tous nos tirages constitue la marque de notre atelier. Comme une signature, elle atteste l\u2019appartenance \u00e0 nos collections et certifie la qualit\u00e9 de fabrication. \u00c0 travers l\u2019\u00e9volution de son graphisme et de ses inscriptions, cette \u00e9pigraphe iconique raconte l\u2019histoire de l\u2019atelier depuis sa cr\u00e9ation et incarne sa l\u00e9gende. Un cachet<\/p>\n

Lire la suite… <\/a><\/div>\n","protected":false},"author":1,"featured_media":1238,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nHistorique des estampilles de l'atelier de moulage du Louvre<\/title>\n<meta name=\"description\" content=\"La version de l'estampille appos\u00e9e sur nos moulage permet de les dater. 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